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Dialogues Project III - Lost In Materials / A Fitting Pattern 對話系列 III - 迷失在物質 / 配件模式
Ting Chaong-Wen 丁昶文 Sugiura Ai 杉浦藍 Ikezaki Takuya 池崎拓也 Group Exhibition 群展 Dates of Lost In Materials: December 16, 2017 to January 07, 2018 “迷失在物質”展期: 2017年12月16日至2018年1月7日 ( Installation view of Lost In Materials, Howl Space, 2017 ) Date of A Fitting Pattern: December 23, 2017 to January 14, 2018 “配件模式”展期: 2017年12月23日至2018年1月14日 ( Installation view of A Fitting Pattern, Book Site, 2017 ) The exhibitions “Lost In Materials” and “A Fitting Pattern” work by three stylistically similarity artists, Sugiura Ai, Ikezaki Takuya and Ting Chaong-Wen; explore how various forms of symbolic meaning work through material, shape and image; to propose, explore and respond to “pattern” which reflects on the idea of culture, history, society and daily life. “Lost In Materials” represents another idea of substance (material) and site by light, image and shape as symbolic elements; in more detailed, more poetic ways to understand things, and rethink how we see them. “A Fitting Pattern” explores metaphors and the effects of “pattern” on everyday life. The theme of this exhibition has the meaning of "fitting pattern" for dressmaking. We create infographics for weaving the things and ideas which handed down from the past to the future in our daily life. Based on the above concepts, in particular in the field of exhibition, requires us to present the complex roles of the “pattern” through artistic expression, as well as through the relationship between the daily life and the symbolic world. Sugiura Ai (b.1982, Aichi, Japan) living and working in Tokyo. She graduated from the fine art department of Musashino art university in Tokyo in 2007. Her work is mainly an assemblage of everyday materials, found objects and images in a daily life. Through works, she reconsiders and reconstructs once more those familiar sights and things from different viewpoints, to see if she can find any possibilities to create something new from such sights and things. Furthermore, she tries to create new sights or new relationships by capturing those familiar matters as “forms” and “colors” as well as the original meanings and functions. Among other places, she has shown in Tokyo, Aichi, Osaka, Japan, Shanghai, China, Taipei, Taiwan, New York, U.S. www.aisugiura.com Ikezaki Takuya (b.1981, Kagoshima, Tokunoshima Island) living and working in Tokyo. In 2005, he graduated from Musashino Art University, Tokyo, with a BA in Fine Art (oil painting). Between 2008 and 2010, he attended classes in the Department of Experimental Art at the Central Academy of Fine Arts, Beijing. His works in various media, from drawing and installation to photography, and creates works out of famil- iar things or phenomena and ready-made objects by reconstructing their meanings. Exhibitions include “The Earthy Paradise, Vol. 2: A new horizon for everyday life and art” (Solo show) at Gallery αM, Tokyo (2013), “4 artists show–painting” at ShugoArts, Tokyo (2010) and “Skin & Map: the study of body and sense by four artists” (Select- ed from the Curatorial Exhibition Competition(Art space) of Aichi Triennale 2010) at Aichi Arts Center. ikezakitakuya.com 展覽〈迷失在物質〉及〈配件模式〉由三位風格相似的藝術家杉浦藍、池崎拓也和丁昶文,分別探討物質、形狀、圖像是如何藉以各種形式的象徵意義,對反映在文化、歷史、社會和日常生活概念之中的“模式”提出探索並回應。 〈迷失在物質〉以光、影像、形狀的象徵為元素,對物質及場域提出另一種再現,以一種更細緻、更具詩性的方式來理解事物,並重新思考我們如何看待它們。 〈配件模式〉探索“模式”於日常生活中的隱喻和影響,展覽主題具有“製衣版型”的意味,如同我們創造資訊圖表來縫合日常生活裡,由過去傳遞到未來的事物和想法。 基於上述概念,透過特定場域的展覽,我們將藉由藝術表現表達“模式”複雜的作用,以及日常生活和象徵世界之間具有的對應關係。 杉浦藍 (1982年出生日本愛知) 工作及生活在東京。2007年畢業於東京武藏野美術大學美術系,她的作品主要是日常物 質與生活中所發現之物件和影像的一種集合,她經由創作從不同的視角,反思及重構了那些熟悉的景觀與事物,去看看是否能從中創造新的可能性。此外,她試圖捕捉那些熟悉的“形式”和“色彩”以及原有的意義和功能來創造新的景觀或關係。她曾在東京 、愛知、大阪、上海、台北、紐約等地展出。 池崎拓也 (1982年出生鹿兒島縣德之島) 工作及生活在東京。2005年畢業於東京武藏野美術大學 (Musashino Art University), 修畢美術學士學位 (油畫專業)。2008 至 2010 年間,修習北京中央美術學院實驗藝術系課程。他的作品使用各式媒材,含繪畫、裝置藝術與攝影等,用平凡的事物或現象及現成 物品創作,從中建構出新的意義。曾展出包含東京αM 畫廊的「樂園創造 ― 藝術與日常 新視野 vol. 2」(The Earthy Paradise, Vol. 2: A new horizon for everyday life and art) 個展 (2013)、東京 ShugoArts 藝廊的「4人展繪畫」(4 artists show–painting) (2010)、愛知藝術文化中心,選自 2010 年愛知三年展之當代美術展策劃大賽 (藝文空間) 的「皮膚與地圖:4名藝術家的身體與知覺嘗試」(Skin & Map: the study of body and sense by four artists)。 |
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